“The searching gaze of the woman on the omnibus wandered for an instant from all this, away to Westminster Bridge and the blue distance of Lambeth, where darting lamps, like will-o’-the-wisps come to town, added a touch of magic relief to the dinginess of night. Then she came back again to the sharp realism of the foreground and found no will-o’-the-wisps there, only the lights of London shining on a picture she should remember to the end of her life. It did not matter, for the thing beyond it all that she wanted to be sure of, shone through rain and mud alike.”
evelyn sharp, ‘the women at the gate’ (1910), in bonnie kime scott, ed., gender in modernism: new geographies, complex intersections, pp.37-43 (pp.37-8).
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